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First Attempt at a Fused Glass Clock

Clock Face

This was my first attempt at a fused glass clock face, but it was a bit of a disaster from the beginning. However, there are a few lessons to be learnt here.

First one is to take better photos. The one and only photo I have is by my iPhone and it isn’t great, but you should get the idea. Taking photos is a fantastic way of documenting your efforts, successes and failures. Combine this with details of the design, materials used, firing schedule and results and you have a great log for future reference. I just have to follow my own advice:)

The concept was a black and white clock face with a city skyline in silhouette. The black and white I felt would give a nice clean and simple feel that could fit into any décor.

All glass is BullsEye COE 90. The base is a circle of 3mm black, on this is a smaller circle of 3mm white. Sadly, when cutting the large black circle a small piece broke off, as can be seen in the photo. At the time of firing I put this piece back in place.

Around the edge on the black glass I used white stringers to mark the hours. On the white glass I used black stringers to frame the outline of the city buildings, then filled in the area below with black glass frit (ground glass).

This was then fired to a full fuse in the kiln. I won’t provide the firing schedule as it wasn’t that successful.

So what was the result?

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First Glass Fusing for a Puddle

Fused Glass Cabochons

This was a milestone – my very first glass fuse firing.

What’s a glass puddle? Well, I didn’t have the faintest when I first heard the term. It is basically a technique for creating jewellery cabochons.

The idea is to layer up a number of pieces of art glass in complimenting colours, then full fuse that together into a puddle. The glass completely fuses down and melts together into what is literally a puddle of glass.

You then break that up, and that is a challenge, into small pieces, set them on edge and again fire to a full fuse. Other than deciding what colour glass to use and how to layer it up, there is not a lot of control over the final result. I suppose it was this that attracted me to the idea; the mystery of the final result.

So how did it all go?

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How I Got Started With Silversmithing

One day I noticed in the local newspaper that the Cobb & Co. Museum was running short courses and one of the courses was a silversmithing course. I have always wanted to do silver soldering. When I saw this ad I thought that this would be a great opportunity to learn how to solder. The funny thing is I wasn’t sure how I would be able to afford to pay the fee, but my husband noticed the ad as well and he said he wanted me to do it. So we looked at our finances and worked it out.

Before this course I took up making jewellery with beads and stringing. This was fun and enjoyable, but I never felt very confident with the silver or gold plated findings. I would put a necklace together but as I couldn’t solder it really made me feel that my work wasn’t  strong and could possibly come apart. I really wanted to learn to solder so I could make jewellery with sterling silver and make my jewellery strong and secure. Learning how to do silversmithing also gave me the potential to make more of my own designs.

The Cobb & Co. course was so good. I started doing the one day course first to see how I went. The only thing I worried about was my eye sight as I am blind in my right eye. So I wasn’t sure if I was going to be able to see properly to do the soldering. The instructor was a very patient young man called Dan Cox, so it all went well.

My First Ring
My First Ring

Here are a couple of pictures of my first item I made which was a silver ring with a vine that went around the ring with a leaf on top.

My First Ring
My First Ring

When I got home I was so excited. I showed Jeff the ring and told him of my day. He was very impressed so we discussed how I could do a further course. I looked at the Cobb & Co website and found there was another 2 day course coming up in the following month so I booked myself in. The course didn’t go as well as I thought it would.  I think I was having a few senior moments Ha Ha! I didn’t let that affect me; I’m still determined to do it. Anyway, I have purchased the equipment that I need to do it at home and once I have set myself up I will be doing it and developing my skills.

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Our Studio

Our Studio

This is the first post of what I expect to be many about the evolution of our studio. We are learning so we do expect to be making changes to the studio as we discover what does and does not work for us.

Having said that, we love our studio. It is our new playground and where we spend quite a lot of time here.

You can see we have a dedicated area for cutting and working with glass, another where Ann works with her creations and the kiln is in a separate area, well away from combustible items.

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