In this firing I tried making cabochons with three layers of glass. This probably is a more normal method, capping with clear glass, so I expected this to work well and with few issues. As usual, I added a few other bits to see what happened.
This probably going to be my approach always; adding extra bits to fill in space and for testing. Making good use of the space in a kiln is surely much more economical and a good practice to adopt, but thinking of what to include does take a bit of thought.
Continue reading Clear Capped Cabochons
This full fuse firing was all about testing a few ideas to make glass cabochons for jewellery. You will notice in the ‘Before’ photo that the items are placed on separate pieces of BullsEye Thinfire kiln shelf paper. For no specific reason other than to use up the paper offcuts.
All glass is BullsEye COE 90. Most glass is 3mm, but there were a few 2mm pieces in some stacks. Everything was fired to a full fuse. The Firing Schedule I used is shown below.
Continue reading Test Cabochons and More
This was my first attempt at a fused glass clock face, but it was a bit of a disaster from the beginning. However, there are a few lessons to be learnt here.
First one is to take better photos. The one and only photo I have is by my iPhone and it isn’t great, but you should get the idea. Taking photos is a fantastic way of documenting your efforts, successes and failures. Combine this with details of the design, materials used, firing schedule and results and you have a great log for future reference. I just have to follow my own advice:)
The concept was a black and white clock face with a city skyline in silhouette. The black and white I felt would give a nice clean and simple feel that could fit into any décor.
Continue reading First Attempt at a Fused Glass Clock
This was a milestone – my very first glass fuse firing.
What’s a glass puddle? Well, I didn’t have the faintest when I first heard the term. It is basically a technique for creating jewellery cabochons.
The idea is to layer up a number of pieces of art glass in complimenting colours, then full fuse that together into a puddle. The glass completely fuses down and melts together into what is literally a puddle of glass.
You then break that up, and that is a challenge, into small pieces, set them on edge and again fire to a full fuse. Other than deciding what colour glass to use and how to layer it up, there is not a lot of control over the final result. I suppose it was this that attracted me to the idea; the mystery of the final result.
Continue reading First Glass Fusing for a Puddle